The Wallingford subject here is historical – quite.
This, I’ll wager, is the first time the Gasworks were used for playful purposes and musical performance. Although we were more impetuous then, it was not a guerilla invasion of the industrial ruins, for Richard Haag, the architect who proposed, planned, and carried the conversion of gas factory to wind swept park through much political and physical turmoil was complicit. He allowed it.
Richard graciously opened the gates to friends (chorus members) and the band Butterfat, which had migrated to Seattle from Wyoming some months earlier.
Butterfat appears in three scenes of …